Today’s post highlights the life and some of the great works of Suzanne Belperron.
Suzanne is a Parisian jeweler, she began working in 1919 at age 19, and continued without stopping for the next 56 years. She died in 1983. Her life and career spanned the modern movement in the arts, feminism and the emergence of fashion as a big business.
Elegant and audacious, she pioneered a new aesthetic style in jewelry, yet never sought recognition. Despite her discovery by the cognoscenti of style, her celebration by the fashion press, and her profound influence over the rest of the 20th Century’s jewelry design, her name is still not as known today. When the Duchess of Windsor’s jewelry was auctioned in 1987, only 5 of 16 Belperron pieces were tentatively identified. She was once asked why she never signed her work, Madame Belperron replied: “My style is my signature.”
What set her apart from her peers was the fact that she drew on motifs from a range of cultures—African, Cambodian, Celtic, Egyptian, Indian, Mayan—and created a daring new look which was hailed as both “brilliant” and “raw.”
Belperron’s designs are so unique containing elements that are bold, playful, and anti-ornamental that they tend to strip away one’s average assumptions about jewelry. Her sculptural shapes anticipated modern design, like Chanel, she showed that high style could come from unfancy elements.
As always, Live, Life, Lamour,